Bill Maher is back with a vengeance … and he’s making a case that cancel culture and cultural appropriation are destroying America.
Bill’s back from a month-long hiatus and he zeroed in on the honchos at the Olympics who were 86’d for decades-old infractions.
He then targeted a subset of cancel culture — cultural appropriation, and made a case that it’s anathema to empathy. In other words, sharing cultures — rather than walling them off — is a celebration of diversity rather than exploitation. His example is surfing — an AP story called the new Olympic sport an indignity to Hawaiians. Bill calls BS … you gotta watch and judge for yourself, but he’s got some solid arguments.
As for real grievances … well Bill jumps to the defense of the Olympic horse — of course, of course.
If you ask us, the resident bad boy of Virgin River had one of the most compelling arcs of Virgin River Season 3.
The hit series is still topping the charts after nearly a month since its July 9 release on Netflix.
With an emotional season filled with love, heartbreak, and in the case of Brady, some romance and redemption, viewers cannot stop talking about the shockings twists and turns of the series.
TV Fanatic caught up with Benjamin Hollingsworth, the humble, laidback star of this addictive series, to talk Brady’s redemption, a potential setup, finding love with Brie, and his next thrilling project. Check it out!
First of all, I gotta say I was a huge Cold Black fan!
Oh, awesome! That’s great.
It was one of the greatest primetime medical dramas ever, and it was such a bummer when it got canceled.
That’s so sweet of you to say. It was a special show to be a part of, and I really valued my time on that one. And thank you for being a fan.
Well, you know, windows and doors because if not for that, you probably wouldn’t have been playing Brady.
That is correct, very correct. When a window closes, another one opens, right?
Exactly. Now, I would say it was kind of a redemptive season for Brady. We got the whole misunderstood bad boy angle. So what was it like when you read the script and saw what was in store for him?
Yes. [laughs] Well, you know what? We have a terrific showrunner, Sue Tenney, and she does such a great job, really she’s got a whole master plan in her mind about the entire arc of pretty much the whole show for all the characters.
So when I first sat down with her, and we talked about doing this project — first, I was just on for a recurring role in season one. And then because I was still under contract with Code Black until that show was fully done, I was open to sign on with other shows, and Sue and I talked about jumping on it and doing a full kind of contract with Netflix, and she kind of mapped out for me what she had in mind for Brady and his arc.
I was a big fan of what was happening already. But then when I heard what else she had planned, it was just totally my jam having this misunderstood character that we make him out to be this bad guy, and then we give him this redemptive storyline in season three, with Brie, and then the end of season three, we have that ending.
She told me the master plan, and I am excited, and hopefully, you know, we’ll get picked up for season four, and we’ll have the opportunity to delve even further into Brady.
Your character is a sneaky one. Generally, the fan response was that people were very annoyed with Brady, and then by the end of the season, and I can attest, I was just distraught with that ending. I didn’t realize I was rooting for your character so much until the end, and then it was just devastating!
Yeah, yeah, yeah! And that’s part of the fun of playing it. I think everyone — we all form opinions of what people are going to be before we meet them. Then even after meeting them, there’s that first impression, and it’s usually wrong. But you get to know someone further, and you find out there’s more to it and them.
I like to play characters that are like that — where you get a chance to show one side of yourself and then another and then let the audience kind of figure out which is the real one.
What is the real character? Is it the one that was present at the beginning, or is it the one that you’re starting to get to know now? And so that for me feels really authentic and exciting, and it’s really fun to craft and perform as an actor. That’s what I look for when I’m deciding whether or not to do a project, and Brady has that in spades.
You guys had a really fast turnaround, so what was it like actually filming during a pandemic? You guys got right back in there early.
We did, and it was good actually once we got past the awkwardness of it, running scenes with masks on during rehearsal, we were only able to take off our masks when we were filming. So you know, it made for some awkward kissing scenes. [laughs]
Well, we were rehearsing, and Brie [Zibby Allen] and I are rubbing masks. [laughs] It’s hard, with the strangeness of it all, sometimes you’d forget.
You would move on and start talking to someone, and someone with a COVID vest on would come up and say, “Your mask! Your mask!” It was very difficult to get used to, but the entire time it was very safe. Netflix did an amazing job of keeping everyone very safe and keeping everyone feeling comfortable.
Although it was new and strange and different, it wasn’t scary at all. It was actually one of the safer spots to be. We were tested all the time, and everyone surrounding us was always wearing masks, and we were always social distancing. Although, I don’t think Mel and Jack were quite social distancing as much as they should. [laughs]
Yeah, um, I don’t think Brady and Brie were either! [laughs]
Brady and Brie were trying to give Mel and Jack a run for their money this year in the whirlwind romance department. It was really cool to see your character in a romantic role. You and Zibby have really great chemistry. What was it like working with her?
Well, thank you! Yeah, sometimes you really never know how it’s going to work out with another actress when you first meet them.
You feel it out, talk about things, run the scenes, but it’s difficult to know what it’s gonna be like, and then you layer COVID on top of everything, and we’re not supposed to be talking with people between takes, and we’re supposed to be social distancing, and we’re always wearing masks…
You know, there’s a part of it that maybe was heightened a little bit by the fact that we were constantly wearing masks and forced apart, so it felt raw and new when we were doing scenes. They felt like they were natural and unrehearsed.
And they had all of those elements that a good scene needs to have. I think we might have actually benefited from some of that COVID protocol stuff.
But Zibby is amazing and a terrific actress, and she’s a really great scene partner. We hit it off and had a ton of fun working together and crafting this arc.
Brady and Brie really took the traditional gender tropes of a relationship between a man and a woman and kind of flipped it on its head because Brie was more of the one who was pensive and more kind of sexual. Brie was the one driving it toward the sex, whereas Brady was really falling for her, which is an interesting thing to play.
It was really cool to see it. Brady fell so hard and so fast, and it was so unexpected. What is it about Brie that Brady gravitated to? He seemed like he was trying to be a better person in part for her.
I think she challenged him. I think he said that a little bit in the script. He’s like, “You don’t take any of my crap, and I love that about you.”
And she has this tough love kind of attitude that Brady really responded to a lot. Brady hadn’t been challenged by anyone before Brie, and I think that he likes that. He likes this independent woman who makes her own money, has her own strong opinions about things, just all of it.
We’re huge Virgin River fans here at TV Fanatic, and we were definitely chatting about this pairing. At the top of our wishlist for next season, we’re hoping Brady and Brie can overcome everything and reunite, and on a totally shallow but respectful note, more shirtless scenes.
Shirtless scenes. [laughs]
That relationship was intriguing, and everyone responded so well to it that we want more. Do you think there’s hope for those two after that ending? It could be a dealbreaker!
Yeah, it could be. You know, I think if we get a season four, it would be pretty shocking if we didn’t see more Brie and Brady together.
They were such a good fit. But I also know that there was Mike’s relationship with Brie in the books, so I might end up finding myself in a bit of a love triangle.
It is hard to tell. Gosh, Brady wouldn’t take it too well if the guy who, in my opinion, wrongly put him in prison ends up moving in on his girl.
Speaking of Mike, do you have any insider knowledge on what Brady was alluding to regarding what happened in Iraq?
I don’t know the specifics on that. I do know Sue kind of told me that Brady had witnessed something that either happened to Mike or Mike does, but it’s definitely a dark secret there.
Brady knows about it, but he also hasn’t told anyone about it. He kept it secret even though Mike is coming for him.
It’s a key element to Brady. He’s very misunderstood in a lot of ways. He kind of gets pinned as the bad guy, but I don’t know how much of it he deserves. I know he’s made some bad decisions, and going over and hanging with Calvin wasn’t smart.
Yeah.
But I do think he was pretty hurt by Jack not wanting him to be in business with him and not giving him an opportunity — Brady really needs a father-figure, well, older brother kind of figure.
Martin [Henderson] wouldn’t like it. [laughs] He wouldn’t like it if I said father-figure. But Brady needs an older brother figure, and he looked to Jack for that.
Brady makes some mistakes, but I can’t imagine a world where he actually shot Jack.
By the end of the season, I was convinced that someone set Brady up. Do you have any theories on who it could be? There’s Calvin and Mike —
I think Calvin for sure is a suspect. People floated the idea of Mike potentially being involved with it. I don’t know if I believe that, but I also think it’s strange how really anti-Brady Mike is, and he didn’t want to hear anything that Brady was saying, and the gun suddenly appearing was very suspicious.
We sure as hell need a season four to answer some of these questions.
I’m confident you guys are getting a season four because you’ve been topping the charts and trending for weeks, so congratulations! That’s been amazing.
Thank you! That’s been wild.
And you know, everywhere I go, I’m getting stopped. With Code Black, I would get stopped, and people would be like, “Oh, I really love the show!”
But it’s wild, especially considering most of the time, I’m wearing a mask. But when I’m outside, not wearing a mask, it’s just constant.
If I’m out on a patio at dinner or the other day, I was running with my daughter in the stroller around the track, and this group of soccer moms literally stopped me on the track, and they wanted a selfie mid-run. I was flabbergasted. [laughs]
But we got some really great fans, and I’m more than happy to meet them all. We’re fortunate that we have such great fans. It’s taken everyone by surprise just how successful the show has been. It’s mind-blowing.
What other projects are you working on that we can look forward to seeing?
Yeah, it’s an interesting concept! It’s based on a New York Times bestselling book series by C.J. Box called Joe Pickett and has a cast of really terrific actors, and Paramount Studios is producing it.
It’s going to start on Spectrum Originals, and then it’ll probably end up on a streaming service, most likely Paramount+, but that’s not for sure yet.
Yeah, I’m just so excited. The role I play is so far away from who I am. It’s this hillbilly poacher from Mississippi with this thick, Southern Hillbilly accent and this five-inch goatee hanging off the bottom of my chin.
It’s a really fun character, and I can’t wait for everyone who is a fan of Virgin River — because it’s based on a book series as well– to give it a watch. It feels like Yellowstone kind of — if Yellowstone and Fargo had a baby, it would be Joe Pickett, I think.
And obviously, C.J. Box is having great success with Big Sky right now on ABC. He produces that, and that’s from his book series as well.
That’s another one of our popular series here, along with Virgin River, so I’m sure there’ll be many crossover fans. It sounds awesome! And once again, it sounds like you’re playing another one of those complicated characters you love.
Yes, it’s kind of becoming my specialty!
Thank you so much for taking the time to speak with us.
Thank you for being such a fan of the show. We love you guys over there, and we’re really grateful for the success of the series.
If you haven’t already, you can stream Virgin River on Netflix.
On Saturday, the Los Angeles County Department of Public Health reported 11 new deaths from Covid-19, along with 3,318 new positive cases and 1,008 hospitalizations.
Public Health said that hospitalizations are up 45% since last Saturday. 23% of those currently hospitalized are in the ICU.
The number of deaths and confirmed cases reported today may reflect delays in weekend reporting. But today’s data brings the County to a total of 24,682 deaths and 1,300,313 positive cases.
Covid test results have now been made available to more than 7,322,000 people, with 16% testing positive. Today’s daily test positivity rate is 6.1%.
Three of today’s new deaths were of people over the age of 80. Three people who died were between the ages of 65 and 79, while an additional three were between 50 and 64 years of age. Two people who passed away were between the ages of 30 and 49.
On Saturday, Public Health reiterated that Covid-19 cases and hospitalizations are surging across the country, also noting the efficacy of vaccinations in combating the virus.
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“The data overwhelmingly shows the vaccines to be effective at preventing serious illness that causes hospitalization, and death. To really beat back transmission, however, we need to have higher levels of vaccination, particularly among our younger residents,” said Public Health Director Barbara Ferrer. “The tragic reality is that almost every single person hospitalized and dying from COVID-19 is unvaccinated and these hospitalizations and deaths are, for the most part, preventable.
“We recognize that many teens and young adults that have not yet been vaccinated have heard or read that the vaccines aren’t safe and that COVID causes only mild illness. Neither is true,” added Ferrer. “Almost 25,000 LA County residents have died from COVID-19, and COVID is now the leading cause of death. And the three authorized vaccines used in the United States have undergone the most intensive safety monitoring in U.S. history.”
Covid vaccines remain available to L.A. residents and workers 12 years and older.
L.A. County’s health order, requiring residents to mask up in indoor public spaces, regardless of vaccination status, remains in effect, after being reintroduced on July 17.
Check out all the amazing new STREAMING + TV trailers from the past week including the following titles from Hulu, Showtime, Starz and More!!
Including:
DEXTER: NEW BLOOD 0:00
WHAT WE DO IN THE SHADOWS Season 3 1:19
ONLY MURDERS IN THE BUILDING 2:41
ARCHER Season 12 5:03
CHUCKY 6:17
SEE Season 2 8:59
DOCTOR WHO Series 13 11:32
LA BREA 12:11
BLADE RUNNER: BLACK LOTUS 12:40
DAY OF THE DEAD 14:30
BROOKLYN NINE-NINE The Final Season 16:00
MUSIC BOX 17:44
AMERICAN HORROR STORIES 18:44
RESERVATION DOGS 19:46
BEHIND THE MUSIC 20:19
MARVEL’S WHAT IF…? 20:49
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Breaking Bad – You’re Heisenberg Scene: Hank (Dean Norris) calls out Walter (Bryan Cranston).
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Trey Parker and Matt Stonewant to buy a beloved Colorado restaurant featured in “South Park,” but it’s still just a pipedream … because we’re told Casa Bonita is NOT for sale.
Here’s the deal … the “South Park” creators made it pretty well known this week they want to buy the Mexican restaurant they often shout out in their sitcom, in part because the real Casa Bonita has remained shuttered since the outset of the pandemic.
But, as flattering as their desire to buy Casa Bonita might be, honchos at the restaurant’s parent company, Summit Family Restaurant Inc., tell TMZ … they’re not interested in selling, despite filing for bankruptcy.
Since the bankruptcy filing, we’re told tons of people have reached out to Summit about purchasing Casa Bonita — but Trey and Matt weren’t among them.
We’re told the decision-makers at Summit plan to reopen Casa Bonita ASAP once the current bankruptcy process wraps, with the goal being to get folks back to work in the next month. Summit’s owned Casa Bonita for 25 years.
The door’s not shut completely on Trey and Matt owning Casa Bonita one day … we’re told if Summit ever wants to sell the joint, the “South Park” creators will be at the top of the list of potential buyers.
On SurrealEstate Season 1 Episode 3, things took a turn for the worse when the clients arrived at the house to find out there were some unwanted residents.
With family dynamics and ghosts coming to the forefront, it was down to everyone at the company to find out the truth about the house.
But unlocking the secrets also led to some secrets about our lead characters.
“Please don’t make the Olympics into the Oscars,” Bill Maher pleaded in his show-ending New Rules monologue in tonight’s return of Real Time to HBO after a month’s break.
Last April, as he reminded the audience, he said the theme of this year’s Oscar show was, “We dare you to be entertained.” Its producers, he griped, seemed determined not to let the audience forget for a moment the injustices and deficiencies of the human condition.
The Tokyo Summer Games, in Maher’s view, have outdone Hollywood. He reeled off a series of instances where officials and creative staffers faced consequences over decades-old behavior. In one case, the opening ceremony’s musical director was ousted over a 1994 interview in which he admitted to bullying fellow students when he was a child in school. “Remember when your teacher used to try to scare you, they’d say, ‘You know, this is going to go down on your permanent record,’” he said. “No longer an empty threat now.”
He also ridiculed media coverage of surfing becoming an Olympic sport in Tokyo. The Associated Press — not exactly some lefty activist outlet — wrote that having surfing in the Games exacerbates cultural appropriation and “racial indignities.” That’s because non-Hawaiians have popularized and mainstreamed a sport with deep spiritual and communal meaning for its original participants. The article’s headline described the competition as a “whitewashed” event.
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While jokes still flowed and the early moments of the segment seemed fluid enough, Maher’s tone was pointed and his points more urgently made than in most weeks. (It could have been the host’s new glasses, which he broke out at the opening minutes of the show, calling them a permanent new accessory. In something of a teaser for the “New Rules” segment, he quipped, “They have progressive lenses. When I put them on, all I see is white privilege.”)
“This is called a purge,” Maher said of the climate in the U.S. and increasingly elsewhere. “It’s a mentality that belongs in Stalin’s Russia. How bad does this atmosphere we are living in have to get before people who say cancel culture is overblown have to admit that it is, in fact, an insanity that is swallowing up the world.”
As to charges that his stance means he has moved farther to the political right (a place on the spectrum given to reflexively denouncing cancel culture), Maher said, “My politics have not changed, but I am reacting to politics that have.”
The news coming out of the Olympics, he continued, “yet another example of how the woke invert the very thing that used to make liberals liberals. ‘Snitches and bitches’: That’s not being liberal.”
Maher admitted that “most of human history is a horror story,” but said the notion of keeping cultures and communities in silos interferes with one of the main positives in life. “The good parts are groups coming together and sharing. It’s sort of the whole point of the Olympics,” he jabbed.
Even the Olympic Games concept itself, he pointed out, was adapted from the Greeks. He rattled off sports and their places of origin, including badminton in India, tennis in France taekwondo in Korea. “What is this new rule that the first to do something are the only ones who get to have it?!” he wondered.
He closed with a condemnation of the hypervigilance about cultural appropriation, though he said there are legitimate cases of it. “Stealing natural resources from indigenous people — yes, of course, that’s exploitation,” he said.
At the same time, he insisted, “Not everything is about oppression.”
Cultural exchange can work in other directions, too, he maintained. K-pop bands like BTS became popular in the U.S. by making pop music that is catchy to Western ears, not by playing traditional Korean songs in the style of their ancestors.
“We live in a world where straight actors are told they can’t play gay roles and a white novelists aren’t allowed to imagine what it’s like to be a Mexican immigrant,” Maher said. “Even though trying to inhabit the life of someone else is almost the definition of empathy, the bedrock of liberalism.”
BRAND NEW CHERRY FLAVOR Limited Series Official Trailer 2021 (HD) Netflix
This isn’t your average revenge flick.
A filmmaker heads to Hollywood in the early ‘90s to make her movie but tumbles down a hallucinatory rabbit hole of sex, magic, revenge – and kittens. Brand New Cherry Flavor — a new limited series starring Rosa Salazar, Catherine Keener, Eric Lange, Jeff Ward and Manny Jacinto — premieres August 13.
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Good news, folks … Bob Odenkirk is in such good spirits he’s now joking around with friends, according to one of them … actor David Cross.
Cross says the “Breaking Bad” and “Better Call Saul” star is doing so good, in fact, fans will soon be hearing from him. Cross updated Bob’s legion of fans Friday morning saying, “Just got off the phone with Bob and he’s doing great!”
David added, “Both [Bob] and his family are overwhelmed with the outpouring of love and concern everyone has shown. You will be hearing from him soon. But he’s doing really well!!!”
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That’s welcome news considering what he’s gone through over the last couple of days. TMZ broke the story … Bob was rushed to the hospital after collapsing on the set of “Better Call Saul” while filming in New Mexico.
We later learned the emergency was a “heart-related” incident. For a moment it was touch-and-go. He was not conscious during his initial hours in an Albuquerque hospital before he eventually woke up — and Cross now sounds confident Bob will be back to his old self.
As we reported … there was an outpouring of support following the medical scare. “Breaking Bad” star Bryan Cranston shared a pic on Instagram and asked fans to “please take a moment in your day today to think about him and send positive thoughts and prayers.”
Their relationship has been a turbulent display of emotion, and while it seemed like they were bonded for life earlier on Outer Banks Season 2, they could not be further apart.
Sarah was never going to take her father’s death well, not even after the multitude of crimes he was a part of.
Her situation with John B is unique. No amount of advice from anyone can help them navigate these murky waters, so it’s hard to look too much into both of their actions.
Their love for each other mounted as they both ran for their lives, trying to avoid some of the impossible situations you can imagine.
Now that they’re back in their hometown, they need to find a way to make their relationship work, or they run the risk of drifting so far apart that they call it quits.
Kie: Are you okay? John B: It’s not me I’m worried about.
Sarah needed John B’s support after her father’s death, but that was a big ask when you consider that her father murdered his father.
How do you bond over that?
It was easy for Sarah to gravitate back toward Topper. He saved her life and vowed to protect her at every cost.
There’s a good chance she’s giving him the wrong impression, but it’s helping Sarah through something difficult.
Sarah returning home to find all the details about the whereabouts of the gold, lit a fire inside her. The treasure hunt would take her mind off everything and possibly allow her to come to terms with the lack of support from her faux husband.
Topper hates John B, so the big bust-up at the bonfire was predictable. It didn’t make it any less exciting because this episode was much slower than the episodes before.
There was a need to show how these characters act when their lives are not on the line, and we got it.
Kelce screaming that John B murdered the sheriff came out of nowhere, but it was hardly a surprise with these waring forces.
It seemed to me that Kelce wanted to provoke John B, but in all honesty, how low can you go to say something like that?
Rafe: Sarah, hey, wait, Sarah. wait. wait. wait. slow down. (Rafe touches Sarah. She goes after him.) Sarah: You touch me one more freaking time. Rafe: We can’t keep ignoring each other. Dad wanted us to talk. Sarah: When I tell you you are the last person I want to talk to, I mean it, Rafe.
One thing that did irk me about Sarah was that she was mad at John B for not telling his new love interest they are married.
I mean, it was only a few episodes ago that John B tried to get Sarah to tell Topper, and she didn’t seem too fond of the idea.
When all is said and done, Topper will probably have a broken heart because we’ve got another mad dash for the treasure on the horizon.
Limbrey turning up the heat was expected, but I hope she gets her comeuppance sooner rather than later. The Limbrey family stole from Pope’s grandparents a long time ago, and the Pogues will not allow it to happen again.
I’m still struggling to make sense of why Limbrey is so adamant about getting the treasure. She’s dying, and it’s hard to believe she’s finding the fortune for her handsy half-brother.
Limbrey crossing paths with Rafe was inevitable. It was obvious the wall beneath the paper concealed the path to the truth when Rafe punched it.
It was a not-so-subtle hint at what was coming up for everyone.
On a more serious note, can we get rid of Rafe? Rose is the sketchiest character on the series, and while she provoked him, she shouldn’t have had to fear for her life.
She understood there was something more to him than meets the eye growing up, but what is her endgame here?
Does she really have the gold from the Royal Merchant? It would make for a nice plot twist, but something tells me Rafe’s paranoia will be the death of him.
Limbrey and her henchmen will not pull any punches when it comes to swindling Pope for the treasure.
Watching the look of defeat on Pope’s face when he had to give up the key was heartbreaking.
He doesn’t want history to repeat itself, but with everyone after the key getting deadlier by the minute, he may go off on the mission alone.
Yes, the Pogues will want to help, but will he want them putting themselves in harm’s way for him?
There are many unanswered questions as we head into the final episodes of the season, and it’s hard to predict what’s on tap.
“The Bonfire” was a slow episode that felt more like the early episodes of Outer Banks Season 1.
Hopefully it was just the calm before the storm and we get some more high-octane action scenes because the show excels when all of the characters are in peril.
What did you think of Sarah getting closer to Topper?
Do you think Sarah and John B will get back together?
What are your thoughts on Rose possibly hiding the gold from the Royal Merchant?
Hit the comments below.
Stream Outer Banks Season 2 on Netflix.
Paul Dailly is the Associate Editor for TV Fanatic. Follow him on Twitter.
Upcoming negotiations for a new film and TV contract covering members of Hollywood’s Teamsters Local 399 “will be more difficult than usual, as the companies try to make up for Covid losses on our backs,” Local 399 leader Steve Dayan said in a message to his members.
The union’s current contract had been set to expire on July 31, but bargaining has been delayed until September to allow IATSE time to negotiate its own film and TV pact with management’s Alliance of Motion Picture and Television Producers. The IATSE pact also had been set to expire the same day, but those negotiations, which began in May, were put on hold earlier this month to allow time for the companies and the industry’s unions and guilds to renegotiate new return-to-work protocols. Negotiations for the IATSE contract are set to resume August 17.
“We will not bargain from a position of weakness, but I need your help. We need to stay informed, united, show solidarity and support for every craft and classification that we represent,” Dayan told his members, noting that “there’s a saying in the labor movement, ‘Together we bargain, divided we beg.’”
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“We have many issues to focus on this year,” he wrote, “but the usual suspects will be wages, working conditions, benefits and New Media,” noting that “we will continue asking to include MLK Day as a union holiday.”
IATSE leaders have taken a hardline stance in advance of next month’s resumption of their negotiations with the AMPTP, telling their members that they’re demanding livable wages, shorter workdays and sustainable benefits for their members, as well as an end to discounts that have long been afforded to so-called “New Media” productions.
Besides negotiating a new contract for drivers, Teamsters Local 399 also is preparing for contract talks covering its many other classifications, including location managers and casting directors. “While there is much work to do,” wrote Dayan, who is the local’s secretary-treasurer, “this administration is committed to achieving solid gains for our membership.”
Separate negotiations for the local’s contract with the Association of Independent Commercial Producers (AICP) are expected to begin in the fall. In the meantime, Local 399 is in the process of negotiating revised Covid-19 safety protocols with the commercials industry and the AICP, which do not currently provide for mandatory vaccinations.
Under the recently renegotiated film and TV protocols between the AMPTP and the unions – SAG-AFTRA, the DGA, IATSE, the Teamsters and the Basic Crafts – mandatory Covid-19 vaccinations on film and TV productions now will be allowed, on a restricted basis. The new protocols, they said in a joint statement, will give producers “the option to implement mandatory vaccination policies for casts and crew in Zone A on a production-by-production basis.” Zone A, where unmasked actors work, is the most restrictive of the safe work zones on sets.
Those return-to-work discussions, Dayan wrote, had been “difficult,” but noted that that while “no agreement is perfect,” he believes that “our members will understand the need for this Local to protect the health and safety of our members, as well as protecting our jobs.”