The Vampire Diaries Musical Trailer: How Will Legacies Pull It Off?

The Vampire Diaries will return in less than a week… with a huge twist.

As previously reported, Legacies Season 3 Episode 3, titled “Salvatore: The Musical,” find the Legacies characters playing characters from the series that kickstarted the franchise.

The CW unveiled photos earlier this week, and now they’ve dropped an official trailer, which shows off characters such as Damon, Elena, and Stefan.

Chris Lee, who plays Kaleb/Damon on this special episode, gets to show off his singing voice again, and if the trailer is any indication, he’s going to steal the show.

Lee is a recording artist, so it will be fun to see what he brings to this musical iteration of Damon Salvator in the actual episode.

Jed is playing Stefan, while Josie is playing Elena, and Lizzie is playing her mother, Caroline.

“The students prepare to put on a musical about the founding of the Salvatore School at the behest of their mysterious new guidance counselor,” reads the official logline.

“Meanwhile, as Landon (Aria Shahghasemi) throws himself into writing the musical and Lizzie (Jenny Boyd), Josie (Kaylee Bryant), Kaleb (Chris Lee) and Jed (Ben Levin) dive into their roles, Hope (Danielle Rose Russell) distances herself from the musical.”

Legacies Season 3 Episode 2 ended with Rafael moving to a prison world after his condition worsened when the Necromancer’s spell over him faded.

It was a tragic installment that, once again, put Hope and Landon on opposite sides as they tried to make sense of everything that happened.

It makes sense then that Landon would jump straight into something creative in order to not dwell on the past, but it also makes sense that Hope would want to stay well away from anything that could bring up her family.

If you watch The Vampire Diaries online, you know the Originals were heavily featured before spinning off into their own show, so it will likely bring up tragic memories for Hope, who has never fully recovered from all of the loss she’s endured.

Legacies showrunner Brett Matthews previously spoke to Entertainment Weekly about the project.

“We had done a musical episode in season 1, so that was sort of the test run, and we just loved that episode.”

“[Executive producer] Julie [Plec] and I have always been looking for a way to talk about The Vampire Diaries, which is difficult in absentia in some of the actors.”

The original musical episode was not as good as it could have been, but this episode honoring The Vampire Diaries may be filled with easter eggs and showstopping performances.

It’s also possible that many fans will not want to watch it because the original series ended less than four years ago, so for many, maybe not enough  time has passed to pay homage to it.

Given the conclusion to Legacies Season 3 Episode 2, it’s hard to imagine Alyssa and the Necromancer not scheming to cause some problems for everyone.

The Necromancer wants to rewrite the original Triad spell to make the leader of Malivore his slave, while Alyssa wants all of the Malivore monsters back to wreak havoc at the school.

Whether that means a monster will arrive to bring the musical to a halt, we don’t know, but we’re inclined to believe there will be a lot of action.

This was supposed to be the penultimate episode of Legacies Season 2, after all. We have COVID-19 to blame for it getting delayed, but at least it means there should be some big moments ahead for the fans.

We still don’t know whether Bonnie or Matt will be featured in the musical, but with Bonnie single-handedly saving Mystic Falls countless times, it would be a slap in the face if she was not featured in some capacity.

Matt was the sheriff until Legacies Season 2, so maybe it will be too meta for the students to include him. Then again, when has this show ever cared about being too meta?

All told, have a look at the full trailer for the musical below.

Do you think Legacies will do the parent series well, or are you expecting to be disappointed with the result?

Hit the comments below.

Remember, you can watch Legacies online right here via TV Fanatic.

Legacies Season 3 Episode 8 airs February 4 at 9/8c on The CW.

Paul Dailly is the Associate Editor for TV Fanatic. Follow him on Twitter.

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Super Bowl Advertising: Covid-19 Throws Flags, But CBS And Brands Still See Chance To Score

As with many other aspects of Super Bowl Sunday, this year’s advertising game-within-the-game has gone through some dramatic adjustments due to Covid-19.

The annual big-tent event on February 7 should still deliver hefty financial returns for CBS, which said this week it has essentially sold out inventory for the game at a rate of $5.5 million per 30-second spot. That’s in line with last year’s Super Bowl on Fox, which reaped $600 million on that single day, according to the company.

But Super Bowl LV in Tampa Bay, a matchup between the Tom Brady-led, hometown Buccaneers and Patrick Mahomes’ defending champion Kansas City Chiefs, won’t be the usual nacho-cheese-splattered bacchanal. Social distancing and ongoing lockdowns are a far bigger factor during the fearsome second wave of coronavirus infection than when the season kicked off last September. Viewing of the game — which, if it tracks with solid playoff ratings and a down-but-better-than-expected regular season, should be strong — will be happen on a much more intimate scale.

“This is not like any Super Bowl we’ve ever had,” Ryan McConnell, an SVP in Kantar’s consulting division, told Deadline in an interview. “With Covid spiking in different directions across the country, we’re going to see fewer Super Bowl parties. That’s going to mean a different feeling in the room when people are watching these ads. It will be interesting to see how you match the tone.”

The reality of 2020-21 has altered the calculus for many advertisers. Fast-rising new companies with Covid-related relevance — Indeed or DoorDash, for example — are making their debuts. There will be the game’s first-ever diaper ad, reflecting the family pandemic times. Anheuser-Busch has said it will forego Budweiser’s berth for the first time in decades, diverting budget to promoting Covid-19 vaccination.

In truth, while Bud is taking a break, many other brands under the same corporate tent are planning a collective four minutes’ worth of commercial time. Ditto for Coca-Cola and Pepsi, though on a corporate level both are not exactly on the sidelines. Blue-chip names like Verizon and Procter & Gamble are also buckling their chinstraps, so there will be a good degree of familiarity in sponsor messages.

In a Zoom call for the media on Thursday, CBS Sports chairman Sean McManus said the tone of the broadcast “is going to be a little different this year given all the country has been through.” He didn’t elaborate, but the short list would include Covid, a rancorous election, the January 6 assault on the U.S. Capitol and protests against racial injustice. “We’re not going to be somber, and we’re not going to be depressing, but I think we’re going to put everything in perspective,” McManus said. “It’s a time to escape and really appreciate what we have in terms of this country.”

Lead announcer Jim Nantz predicts a spill-over effect for TV viewers from the “magnificent spectacle” inside Raymond James Stadium in Tampa Bay. Of the 22,000 fans allowed to attend the game by the NFL, 7,500 will be health-care workers and first responders. “The vibe’s going to be big,” Nantz said. “It’s going to feel, in my estimation, like a full stadium.”

The 43,000 other empty seats will not go to waste. In addition to cameras like a 10th-row “trolley” that will follow players during the action, the NFL has also installed LED message boards covering the first seven rows of seats, valuing that inventory at $1.5 million to $2 million. It’s possible some of those sponsored call-outs could end up on air instead of the corporate guests or face-painted loyalists who usually serve as the live backdrop to the game.

McConnell notes that the game comes as America begins to chafe at pandemic restrictions but months before vaccine protections can take effect. “It’s a weird time right now, we’re in this transition period,” he said. In plenty of cases, like the shockingly low-rated NBA Finals and World Series last fall, watching oddly modulated games with piped-in, artificial crowd noise, rubs viewers’ noses in the difficulty and dislocation of the current moment.

Most pundits don’t see the almighty Super Bowl falling out of bed in terms of tune-in, but the uneasy fan attitudes toward watching sports make it “a little tricky this year,” McConnell said. “You don’t know if there’s going to be a controversial thing. There is downside for advertisers when things are as polarized as they are.”

McManus said CBS has not had to have delicate conversations with advertisers about their creative materials, or about contingency plans should anything arise on Super Bowl Sunday and become a story. The network has weathered controversy at the big game before, airing the Janet Jackson-Justin Timberlake halftime show and the blackout at the New Orleans Superdome. Neither year carried the kind of societal charge we’re now experiencing, however.

There is a potential upside, of course, to staging a sort of Stay At Home Bowl, with a dialed-down level of hype. As McConnell notes, “With fewer distractions, people may end up paying more attention to ads.”

That notion factored into the thinking at DoorDash, whose first Super Bowl spot features Daveed Diggs and the Cookie Monster showing how the company has evolved beyond its roots as a food delivery service.

“Everybody wants a more tuned-in audience,” David Bornoff, head of consumer, brand marketing at DoorDash, said in an interview. “The fan side of me will miss the fact that we can’t get together. … And I personally will miss some of those traditional advertisers because I always enjoy their creative.” Nevertheless, DoorDash is “not really looking at how the ad landscape is. We knew months ago that we wanted to be part of the game and we look forward to the opportunity.”

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Better Call Saul S05 E08 Featurette | ‘Filming In Extreme Conditions’ | Rotten Tomatoes TV

Check out the new Better Call Saul Season 5 Episode 8 Featurette starring Jonathan Banks! Let us know what you think in the comments below.
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US Air Date: April 6, 2020
Starring: Bob Odenkirk, Rhea Seehorn, Jonathan Banks
Network: AMC
Synopsis: When a simple errand for a client goes sideways, Jimmy is pushed to the limit; Mike takes measures to contain the wrath of the cartel; Lalo gets an unexpected visitor.

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INTO THE DARK: TENTACLES Official Trailer (HD) Dana Drori

INTO THE DARK: TENTACLES – 2021 – HORROR – Dana Drori

How well do you know the one you love? The Into The Dark series continues with Tentacles coming to Hulu February 12th”

CAST: Dana Drori, Casey Deidrick, Evan Williams

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The Bold Type: Season Five; Freeform Drama Series Renewed for Final Season (Video)

The women of Scarlet will return for one more year. Freeform just announced they’ve renewed The Bold Type for a fifth and final season. There will be just six episodes this time around, down from the 16-episode order of the fourth season.

The drama series provides a glimpse into the outrageous lives and loves of those responsible for Scarlet, a global women’s magazine. The rising generation of Scarlet women leans on one another as they find their own voices in a sea of intimidating leaders. Together they explore sexuality, identity, love, and fashion. The Freeform series cast includes Katie Stevens, Aisha Dee, Meghann Fahy, Sam Page, Matt Ward, Melora Hardin, and Stephen Conrad Moore.

The fourth season of The Bold Type averages a 0.06 rating in the 18-49 demographic and 162,000 viewers. Compared to season three, that’s down by 37% in the demo and down by 32% in viewership. The 16-episode season wrapped in July and is currently the channel’s lowest-rated series.

Here’s Freeform’s announcement about the fifth and final season, as well as footage from the cast’s recent virtual table read:

FREEFORM’S HIT SERIES ‘THE BOLD TYPE’ SET TO RETURN FOR A FIFTH AND FINAL SEASON

Nikohl Boosheri Will Return as Adena El-Amin

Today, Freeform announced that the critically acclaimed series “The Bold Type” will return for a fifth and final season. A signature hit for the network, the series will celebrate Kat, Jane and Sutton’s journey in the farewell episodes set to air later this year. Nikohl Boosheri will also recur as fan-favorite character Adena El-Amin later in the season.

“‘The Bold Type’ is a brand-defining show for Freeform. It’s been refreshing, relatable and fun to watch Kat, Jane and Sutton lean on their friendship to navigate the complexities of modern life,” said Tara Duncan, president of Freeform. “It’s one of my favorite shows, and I am proud that we are giving the series the sendoff Wendy, the incredible cast and crew, and the beloved fans all deserve.”

“It has been a joy to watch Kat, Jane and Sutton live out their lives on screen over the last four seasons and become an inspiration for so many young women along the way,” said Universal Television president Erin Underhill. “This show will always hold a special place in my heart for its authenticity and ability to provoke meaningful conversations with each episode. I want to thank Wendy Straker Hauser and all the writers for telling these amazing stories that will undoubtedly live beyond the pages of Scarlet Magazine.”

“‘The Bold Type’ has been a gift that has truly changed my life. I spent my twenties in New York City working in magazines, so in many ways the show feels very personal to my experiences,” added showrunner and executive producer Wendy Straker Hauser. “I have truly loved writing this show and living in this world. I will miss it terribly, but I am so grateful for the opportunity and glad to know it’s been a comfort to so many people out there.”

Season four of “The Bold Type” left Kat, Jane and Sutton at their limits, both personally and professionally, at Scarlet Magazine. In the final season, our trio is on the brink of defining who they really are and how best to leave their mark on the world. Their futures are bright, and their love and support for each other will never change.

Consistently named as one of TV Guide’s “100 Best Shows on TV,” the series has been heralded in the media as “charming,” “heartfelt” and “affecting” with its focus on relevant topics and friendship goals. Fans all over the world have praised the series for its timely and impactful storylines that connect with viewers on a personal level.

“The Bold Type” stars Katie Stevens, Aisha Dee, Meghann Fahy, Stephen Conrad Moore and Melora Hardin. The series is executive produced by Wendy Straker Hauser, Matt McGuinness, David Bernad, Joanna Coles, Brian Madden, Ruben Fleischer and Sandrine Gros d’Aillon. The series is produced by Universal Television, a division of Universal Studio Group and The District.


What do you think? Do you watch The Bold Type? Are you glad it’s coming back for a fifth season? Is this the right time to end the show?

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Walker Season 1 Episode 2 Review: Back in the Saddle

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