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US Air Date: September 2, 2021
Starring: Matt Berry, Kayvan Novak, Natasia Demetriou
Network: FX
Synopsis: An evil bucket that’s great for collecting evil.
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TV docudramas always walk a fine line between illumination and exploitation. But American Crime Story‘s first installment, The People v. O.J. Simpson, broke the mold by doing the impossible: It gave us a fresh perspective on a story we thought we already knew so well. It had depth, it had nuance, it made us rethink the legacies of infamous media pariahs… and I say all that to emphasize that 
The central figure here — you’d hardly call her a “hero” — is Linda Tripp (played by Murphy staple Sarah Paulson), an embittered government bureaucrat who bristles at a demotion and strikes up a creepy bond with new coworker Monica Lewinsky (Beanie Feldstein), preying on her like a spider with a fly. Monica feels jilted when Bill Clinton doesn’t bring her back to work at the White House after his reelection, so she spills all to Linda about her clandestine affair with the President. Linda sees Monica as her ticket out of her gray government cubicle and starts taping their phone conversations, setting in motion a scandal that shocked the country and nearly ended Clinton’s presidency. Impeachment gets too caught up in the build-up, though, and spends too much time trying to wring drama and tension out of banal conversation. Only when the affair becomes public in Episode 7 does the series finally start to show faint signs of life.
I should note that there are a few interesting glimmers here, around the edges. I’d gladly watch the full origin story of Matt Drudge, played here by Billy Eichner as a CBS gift shop cashier turned Internet sleuth, digging through dumpsters for scoop to post online. And despite being saddled with a ridiculous fake nose, Annaleigh Ashford turns in Impeachment‘s best performance as Clinton accuser Paula Jones, finding humanity and sympathy in a much-maligned public figure, a la The People v. O.J. Simpson‘s Marcia Clark. But Impeachment wants to have it both ways: We’re supposed to feel bad when the media treats Jones like a joke in one scene, and then laugh at how dumb she is in the next. (Casting Taran Killam as Paula’s volatile husband was also a mistake: His presence makes their scenes play like a SNL digital short.) It’s this clumsy blend of didactic “weren’t we awful back then?” hindsight and sleazy sensationalism that ultimately makes Impeachment one of the year’s biggest TV disappointments.
“Sometimes it’s easier to figure out someone else’s secret than it is to deal with your own.”
Set in a charmingly hostile New York City, Only Murders follows three residents of a swanky Upper West Side apartment building: Charles (Steve Martin), a barely remembered actor from an old TV detective show; Oliver (Martin Short), a grandiose theater director, complete with ever-present scarf; and Mabel (Selena Gomez), a morbidly inclined artist. On the surface, the three seem to have nothing in common — but then they learn they’re all hooked on the same true-crime podcast. Their shared love of digging into unsolved crimes kicks in when a dead body is discovered in their building… and they can’t resist the urge to investigate.
Only Murders really sings, though, when Martin and Short are in their comedy wheelhouse. These two are seasoned pros; with them, it’s effortless. The rude banter between Charles and Oliver is a reliable source of laughs, and Short is especially hilarious as the loudly confident, deeply insecure Oliver in a delightful turn that reminds us just how funny he can be. (I could listen to him all day recalling the disaster that was Splash: The Musical.) Plus, their building is teeming with colorful oddballs and bitter old grumps. In New York City, everyone’s on top of each other and in each other’s business, and the show makes good use of that overly intimate claustrophobia. Nobody liked the murder victim much, it turns out, so there are plenty of suspects — including a big-name celebrity in a supremely silly cameo.