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US Air Date: 2008
Network: AMC
Starring: Daniel Moncada, Dean Norris, Luis Moncada
Director: Michelle MacLaren
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Who says college campuses and comedy don’t mix these days? Netflix’s new series 
Jin-Yoon’s biggest problem: Her department is plagued by a cluster of crusty old white professors whose huge salaries and outdated teaching methods are holding back progress. (Bob Balaban is perfectly cast as the imperious Elliot.) Plus, she has to babysit her department’s most popular professor: Bill Dobson (Jay Duplass), a failed novelist and a drunken mess. (Yes, he’s a cliché, but at least he’s aware that he’s a cliché.) Jin-Yoon goes into crisis mode when a moment of stupidity from Bill goes viral and snowballs into a full-blown scandal, threatening to bring the whole system crashing down.
Oh has always shown hints of comedic flair on dramas like Grey’s Anatomy and Killing Eve, and it’s fun to watch her get to fully explore that side of herself here. (Jin-Yoon is a complex jumble of neuroses, ambition and good intentions.) Duplass is solid, too, as Bill, but I wasn’t sold on the dynamic between him and Jin-Yoon. The show seems to want to shove them together romantically, when it’d be better if it just let them be friends. But Holland Taylor is a feisty treat as Joan, one of those crusty old English professors who’s exiled to the basement of the school’s fitness center and is determined to find out which student is trashing her in his teacher evaluations. It’s a goofy subplot, but Taylor has a lot of fun with it; this is her best role in years.
Well, 
Gordon-Levitt stars as Josh Corman, a thirtysomething fifth-grade teacher who is deeply unhappy with his life and wants to do something more, something different. He used to be a musician, but he hasn’t picked up an instrument in years, and that missed opportunity haunts him at every turn. (“The only people who become teachers are people who wanted to do something else and gave up,” a girl snidely informs him.) He’s broke, he’s lonely, he’s anxious and he’s surrounded by fake friends yammering about creating “content” and becoming “verified.” Plus, he’s constantly trying not to offend anyone by saying or doing the wrong thing — by being a typical white guy, basically.
Mr. Corman comes from A24, a production company known for daring, boundary-pushing fare, and this does have an indie, idiosyncratic feel to it, with quirky music, jittery handheld camerawork and animated detours. But it lacks focus, as if Gordon-Levitt had a hundred different ideas scribbled down in his notebook and tried to cram them all into one show. And when it aims high and gets weird, it gets really weird: In what has to be one of the strangest TV scenes of the year, Episode 3 ends with a fantastical song-and-dance number featuring Josh and his mom singing an original duet about mothers and sons. Like… huh?