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US Air Date: April 4, 2019
Starring: Perry Mattfeld, Brooke Markham, Keston John
Network: The CW
Synopsis: A blind woman tries to solve her friend’s murder.
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When Regina King confidently strutted her way through Union Station at the top of this year’s 
Taping the ceremony at Los Angeles’ Union Station was a smart move: The setting had an elegant, old Hollywood feel and helped infuse the show with some much-needed glamour. I appreciated the lushly colorful visual palette, adorning the usual gold with vivid purples and oranges and blues. Plus, the producers did what they could to preserve the glitz of Hollywood’s biggest night, thankfully keeping the Zooms to a minimum and getting most of the nominees there in person. But the show that followed, sadly, was a painfully earnest snoozefest: a sluggish, humorless mix of overly long speeches and endless pats on the back with almost no entertainment value. Did they forget that this is supposed to be a show?!?
Remember that Friends episode where Chandler, Monica and Ross want to go see Hootie and the Blowfish, but Rachel, Phoebe and Joey can’t afford to? It’s notable, not only because Monica ends up making out with a Blowfish, but because it directly addresses a taboo subject on TV: money.
The story centers on three adult siblings who span the full spectrum of financial security. At the low end, Sarah (Caitlin McGee) is a therapist for at-risk kids struggling to make ends meet in a tiny cramped apartment with her wife and two kids. (Her car still has manual roll-up windows!) Tom (Topher Grace) is a middling novelist searching for his next book idea, so he’s somewhere in the middle, financially speaking. And Connor (Jimmy Tatro) is an obnoxiously rich investor who’s living large in Matt Damon’s old house… a fact he proudly announces to anyone within earshot. This gaping economic disparity between them, which would normally go unmentioned, is front and center here: In the pilot, Tom has to ask his little brother Connor for a loan, and that leads to the kinds of uncomfortable conversations that we don’t often hear on TV.
Plus, it helps that the three stars lock in a natural sibling chemistry right away. Topher Grace hasn’t had a regular sitcom role since That ’70s Show, and as Tom, he gets to show off that flawless deadpan delivery we’ve missed since then. McGee flashed real potential on You’re the Worst, and she lends Sarah a plucky righteousness. The true highlight, though, is Tatro. So good as a dopey teen on American Vandal, he’s hilarious here as Connor, who flaunts his wealth like a frat boy who won the lottery. Karla Souza (How to Get Away With Murder) and Sasheer Zamata (SNL) get off some nice zingers, too, as Tom’s wife Marina and Sarah’s wife Denise, respectively. (Through three episodes, the kids play a surprisingly small role for an ABC sitcom… but I personally count that as a plus.)