The Good Doctor Season 6 Episode 5 Review: Growth Opportunities

St. Bonaventure celebrated Halloween! Sort of, anyway.

On The Good Doctor Season 6 Episode 5, several staff members wore costumes for the first ten minutes of the hour, but once the stories kicked into higher gear, it seemed like any other day at the hospital.

How odd! At least we got some compelling medical stories out of it and an end (for now) to Shaun and Glassman’s conflict over Lim.

Maybe Shaun told Asher off-screen to take off his Halloween makeup. He was bewildered by why Asher wore it, and Asher had to deliver awkward news.

It probably isn’t sanitary to wear Halloween makeup in the OR, and it might be harder to take a doctor dressed like a green goblin seriously.

Skylar’s storyline took a strange turn when the doctors did the genetic testing. I expected her to have a rare disorder that required a risky, experimental procedure. Instead, the doctors got involved in the drama surrounding the child’s parentage.

The doctors claimed they had to track the bio-dad down to warn him about his genetic abnormality. That felt like a stretch; there was no way to tell him about this without revealing how it came up.

He and any other children he had weren’t in immediate danger; it wasn’t as if he were someone who had recently had close contact with a patient who had COVID or HIV.

Telling Mick he was Skylar’s biological father felt like the doctors were going into territory that was none of their business.

Once Skylar went into liver failure and needed a living donor ASAP, the medical team had more of a reason to track down her biological father. Of course, there was no guarantee he would be a match just because they were related, but there was a chance he could save her life.

However, he wasn’t obligated to donate part of his liver to a virtual stranger just because they shared DNA, and his reasons for not wanting to get involved were understandable. The surgery was risky and would put him out of commission long-term, and he has a family of his own elsewhere.

Although this story had a happy ending, I didn’t feel comfortable with Lea going to the bar where he performs regularly and showing him a video of Skylar singing.

It was manipulative and bordered on harassment since she was the third or fourth person to try to convince him to do this.

This mess happened because Shaun supervised this case without anyone giving him feedback. While he’s an attending now, he should still be consulting regularly with senior doctors about his patients, which wasn’t happening here.

Shaun also decided to delegate most of the dirty work to the residents so he could focus on finding a way to make Lim walk again.

Andrews wouldn’t have been happy if he knew that’s what Shaun was doing. He’d probably say that was a dereliction of duty, as Shaun is supposed to supervise residents, not tell them to take care of patients entirely on their own.

Lim’s potential surgery became another reason for Glassman and Shaun to butt heads.

Why was it up to Glassman to decide whether the surgery was too risky? This should have been Lim’s decision from the get-go. It’s her body, not Glassman’s, and she neither asked for nor needed his protection.

Glassman’s attitude toward Shaun was aggravating until Lea talked some sense into him.

Lea: Look, Shaun isn’t going to apologize. Someone has to make the first move.
Glassman: And it has to be me?
Lea: Of course it has to be you.
Glassman: Shaun is a grown man and you’re his wife.
Lea: He has ASD. And he’s your son.

Glassman kept harping on Shaun’s needing to take responsibility for causing Lim’s paralysis. I still haven’t seen any evidence that Shaun was responsible for that.

Glassman COULD have said that he was sorry she suffered this outcome — that’s just good bedside manner — but there was no need to take responsibility beyond that.

Thank goodness Lea got Glassman to finally get over himself.

His behavior was more childish than Shaun’s. He kept avoiding Shaun and insisting that Shaun was to blame for the rift because he wasn’t doing what Glassman wanted.

Glassman is a brilliant neurosurgeon, and there’s no doubt he saved Shaun’s life when he was younger. But he also is overcontrolling and generally refuses to consider anyone else’s point of view.

Those flaws contributed to his daughter’s death and his recent divorce. They almost caused a permanent rift with Shaun. And he was taking over Lim’s medical decisions, which eventually would have pissed her off too.

Lim made the right decision by rejecting the surgery, even if Shaun didn’t understand it.

Powell was right that she was interested for the wrong reasons — she thought being able-bodied again would fix her life and was still grieving the loss of her limbs.

I didn’t understand what had happened with Lim’s date. The little we saw involved him salvaging the evening after the restaurant’s humiliating suggestion about how to deal with the lack of wheelchair ramps.

When she sent him home, I didn’t get the sense that it was because he wasn’t interested in her romantically; I thought she was upset about what had happened at the restaurant.

While Lim doesn’t owe Shaun an explanation, it would be nice if she shared that she wants to try to accept herself as she is and appreciates his efforts.

Shaun was doing this because he wanted to salvage his relationship with Lim, so knowing that she doesn’t hate him would go a long way to ending his attempts to pressure her into changing her mind.

When Ollie and his brother came into the ED, they reminded me of Shaun and his brother, so I knew it would end up with Shaun talking to them.

What a sad story, though!

What did you think of this Halloween episode, Good Doctor fanatics? Hit the big, blue SHOW COMMENTS button and let us know.

The series is taking a brief hiatus before the next new episode, but in the meantime, you can watch The Good Doctor online.

The Good Doctor airs on ABC on Mondays at 10 PM EST / PST. The next new episode will air on November 14, 2022.

Jack Ori is a senior staff writer for TV Fanatic. His debut young adult novel, Reinventing Hannah, is available on Amazon. Follow him on Twitter.

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Sony Pictures’ Q2 Profit Dips To $202M; Full-Year Forecast Increases

Sony Pictures Entertainment recorded $202 million in operating profit for the three months ended September 30, repping a 30% slide from the comparable period last year (-13% on a yen basis). The company said Q2 profits were affected by the absence of new films licensed to digital streaming services and an increase in marketing costs to support current year theatrical releases.

Similar to the same 2021 frame, revenues in the division were up, however, reaching $2.44 billion (337.5 billion yen). On a dollar basis, that’s a 3% increase while it’s +29% when considering the yen. Numbers have been greatly impacted by exchange rate fluctuations amid a strong dollar and a weak yen.

SPE had a more significant roster of movies in cinemas during the past quarter versus Q2 2021, including sleeper hit Where the Crawdads Sing which has grossed $132 million globally, Brad Pitt-starrer Bullet Train ($233 million worldwide) and critically acclaimed historic action drama The Woman King ($44 million).

Higher television licensing and home entertainment revenues also kicked in for movies released in fiscal year 2021 while Sony cited higher revenues for anime streaming services including the impact of the acquisition of Crunchyroll. The latter released Dragon Ball Super: Super Hero domestically in August, grossing $38.1 million.

Currently in release theatrically, Sony has family pic Lyle, Lyle Crocodile which has made over $50 million globally to date. On deck through the rest of the year are war drama Devotion starring Jonathan Majors and Top Gun: Maverick’s Glen Powell, and Tom Hanks-starrer A Man Called Otto at Christmastime. 

Sony has increased its full-year outlook for SPE, eyeing 115 billion yen ($778 million). Overall, the media and electronics giant increased forecasts, primarily due to the weakness of the yen.

Sony Corporation reported group revenues of 2.752 trillion yen ($18.6 billion), to best analyst predictions, and an 8% hike in operating profits to 344 billion yen ($2.33 billion) for the quarter. From Tokyo this morning, Sony cited increases in Music, Imaging & Sensing Solutions and Financial Services but also noting a significant decrease in Games & Network Services. 

The latter saw a 49% drop in operating income, down to 42.1 billion yen ($284.5 million). The corporation cited as culprits increased costs for software development, expenses associated with acquisitions (including Bungie), the negative impact of foreign exchange rates and a decrease in sales of non-first-party titles including add-on content.

The division sold 3.3 million units of its PlayStation 5 console in the quarter, on par with 2021’s same frame, and counts 45.4 million PlayStation Plus subscribers, a slight drop from the previous quarter. Coming up on November 9 is the official release of God of War Ragnarok.

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City on a Hill: Cancelled by Showtime; No Season Four for Kevin Bacon & Aldis Hodge Drama

City on a Hill TV show on Showtime: canceled or renewed for season 4

(Photo by: Francisco Roman/Showtime)

Rohr and Ward won’t be back for a fourth season. Showtime has cancelled the City On a Hill TV series, according to THR. The third season finished airing on September 25th.

A crime drama series, the City on a Hill TV show stars Kevin Bacon, Aldis Hodge, Jill Hennessy, Lauren E. Banks, and Matthew Del Negro, with guest stars including Corbin Bernsen, Joanne Kelly, and Ernie Hudson. The story unfolds in 1990s Boston and centers on Assistant District Attorney Decourcy Ward (Hodge), and his unlikely partnership with corrupt FBI Agent Jackie Rohr (Bacon). Season three centers on Boston’s high society of Beacon Hill. Having left the FBI and thrown his badge into Boston Harbor, Jackie Rohr (Bacon) lands a lavish new gig running security for a wealthy family. Life is good until secrets begin to unravel. When an investigation opens, ADA Decourcy Ward (Hodge) sees an opportunity to finally rip out the machinery perpetuating a broken criminal justice system. Siobhan Quays (Banks), representing a construction worker who was severely injured on the Big Dig, encounters the city’s corruption first-hand, all while coping with the traumatic events of her past year. As Jenny Rohr (Hennessy) can attest, given her history with her father, some experiences will haunt you beyond your breaking point.

Airing on Sunday nights, the third season of City On a Hill averages a 0.04 rating in the 18-49 demographic and 224,000 viewers in the live+same day ratings (includes all DVR playback through 3:00 AM). Compared to season two, that’s down by 3% in the demo and down by 41% in viewership. While these numbers don’t include further delayed or streaming viewing, they are a very good indicator of how a show is performing, especially when compared to others on the same channel.

Word is that the decision to cancel City on the Hill was made some time ago. “City on a Hill concluded its successful run on Showtime with its season three finale,” a statement from Showtime reads. “We have had nothing but the best experience working with Kevin Bacon, Aldis Hodge, and the entire cast and crew, led by showrunner Tom Fontana and fellow executive producers including Jennifer Todd and Jorge Zamacona. We offer our sincerest thanks to everyone.”

What do you think? Have you enjoyed the City On a Hill TV series? Are you sorry that this Showtime drama hasn’t been renewed for a fourth season?

Check out our status sheets to track new TV series pickups, renewals, and cancellations. You can find lists of cancelled shows here.

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Categorized as Cancelled